Anyone with more than a passing interest in The Criterion Collection would be aware of the general commotion that occurs every couple of years when Criterion release their special edition of the Wes Anderson film before last. The whole process is always quite fascinating to follow on social media. The Criterion Collection is justifiably the most esteemed home video company in the world, renowned for not only the exceptional scope and quality of their releases, but also the time and effort that they put into packaging and supplements. As a result of the excellence of their work, the company has quite rightly built up their own rather zealous group of followers.
Along with Chaplin, Keaton and Lloyd, Jacques Tati is one of the great silent film comedians. The only difference of course being that Tati never actually made a silent film. Between 1953 and 1971, Tati directed four classic films revolving around the character Monsieur Hulot (also played by Tati). Supposedly named after “Charlot”, the name used in France for Chaplin’s character The Tramp, like Tati, Monsieur Hulot is a man out of time. Instantly recognisable by his hat, pipe, overcoat and stooping gait, Monsieur Hulot is constantly at odds with authority and technology.
The recent Criterion Collection blu-ray release of The Killers serves as an illuminating study of how different artists and circumstances can influence the adaptation of the same source material. This package collects three films from 1946, 1956 and 1964 all based on Ernest Hemingway’s 1927 (very) short story The Killers. Continue reading “The Killers”
The “Watch This” section is essentially a place for me to talk about my favourite films. Mike Judge’s Idiocracy (2006) probably seems like an odd starting point, but I firmly believe that it is possibly the most unfairly maligned and criminally under seen of all films. It’s a film that I have watched at least once a year since its initial release and which becomes more prescient with each passing year. Continue reading “Idiocracy”
What can be said about movies today? Cinema has always been prone to fluctuations due to changes in culture and technology. The coming of sound, the Production Code, the Hollywood Blacklist, Television, the end of the Studio System, home video, CGI, the various iterations of 3D and illegal downloading. Each one of these changes had real or imagined impact on film production in the United States. Continue reading “Marvel Presents Salò”









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